Choreography disappears. Choreography remains. Body / Archive / Present 40 years of moments, reanimated. Mondays, when the theater sleeps, we awaken dance and dialogue. Choreography evolves.

In this place where time accumulates in layered folds amid a quiet beauty, the artists—gathered along their distinct cultural trajectories—embrace Nakseonjae as a site of embodied memory and give rise to a language of movement. Here, a narrative of artistic exchange unfolds, one that moves beyond borders.

A place where accumulated gestures of tradition blossom through a contemporary sensibility. Here, tradition does not remain in the past; it becomes a question directed at the present and a foundation upon which the future is imagined. The dancers’ movements, carried within a fluid contemporary vessel, reframe traditional aesthetics and unfold a narrative of artistic exchange that traverses time and space.

Body Writing explores the body as a site where time, memory, and change are continuously inscribed. As dancers and theater space respond to one another, movement evolves through shifting limits and renewed possibilities. The work invites audiences to encounter a body that is no longer the same—yet newly awakened to the present.

Cheok is a work that seeks Asian values as a new key to opening the future in an era of crisis. While the metric system—an international standard unit of measurement—measures everything in the world, this work reconsiders the world of "difference" erased by logical efficiency, using the keyword cheok, Asia's traditional unit of measurement that still permeates daily life.

Emotions, memories, and movements intersect in parallel, transcending time and space. There exists a pure body and movement that does not overtly point to anything. The work begins by searching for the external events that have been triggered—or the emotions and affects they have produced. Through this process, the body and its movement never remain in a single state; they continue to transform.

In Zero One Dimension, 0 and 1, nothingness and existence, reality and virtuality, crisis and salvation mutually sustain one another. In the ordinary images of ourselves that seep into the virtual space on stage, the hidden face of the hero fleetingly appears.

Still dead, already alive. A bridge for ghosts laid by a shaman, a goblin's game—and a world of fantastic reality where we dance together.

Bul-ssang, a hybrid dance project, began as an exploration and experiment in hybridity—mongrel forms, crossbreeding, mixed bloodlines, and hybrid identities. One of its central thematic inquiries focuses on the Buddha statue (Bulssang, 佛像), a symbolic code of East Asian culture.

Once again today, we step onto the stage to meet the audience. With a long sigh, we begin to dance—a dance like the scream of a white butterfly…